Celia Daniels’ web of power has turned April Windsor from a brave girl into a victim living in fear.

After being forced to work for Ray Walters, April thought she had faced the mastermind.

But the truth is even more cruel when Celia is revealed, holding all the control.

April lives every day on the edge.

In a breathtaking scene, she walks out of the house, her eyes always darting, afraid that someone is following her. In a panic, April holds Dylan’s hand, her voice trembling: “If we speak out, we will die.” Dylan looks at her, his eyes bewildered but unable to say a word of protest.

Dylan is also a victim, but instead of standing up, he chooses to stay silent. He tells himself that silence means safety, but that silence only pushes April further into a corner. In the eyes of the audience, Dylan becomes a symbol of helplessness: knowing he is wrong but not having the courage to escape.

The screenwriter skillfully portrays April as a baby bird caught in a giant spider web. Every gesture of hers reveals her obsession, from locking the door three times to being startled by the sound of falling leaves. Dylan sees everything but can only squeeze her hand in despair.

The audience will surely argue: Is Dylan to blame for being so weak? Or is it just the harsh truth: not everyone is strong enough to resist a force like Celia? It is this contradiction that makes the story even more thrilling, as April is pushed closer and closer to the brink of collapse, while Dylan just stands and watches.